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Looking In
Language: en
Pages: 308

Looking In

Authors: Mieke Bal, Norman Bryson
Categories: Art
Type: BOOK - Published: 2013-10-28 - Publisher: Routledge

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Looking In
Language: en
Pages: 308

Looking In

Authors: Mieke Bal, Norman Bryson
Categories: Art
Type: BOOK - Published: 2013-10-28 - Publisher: Routledge

In Across the Great Divide, some of our leading historians look to both the history of masculinity in the West and to the ways that this experience has been represented in movies, popular music, dimestore novels, and folklore.
Natural History Dioramas
Language: en
Pages: 289

Natural History Dioramas

Authors: Sue Dale Tunnicliffe, Annette Scheersoi
Categories: Science
Type: BOOK - Published: 2014-12-05 - Publisher: Springer

This book brings together in a unique perspective aspects of natural history dioramas, their history, construction and rationale, interpretation and educational importance, from a number of different countries, from the west coast of the USA, across Europe to China. It describes the journey of dioramas from their inception through development
Maya Imagery, Architecture, and Activity
Language: en
Pages: 432

Maya Imagery, Architecture, and Activity

Authors: Kaylee R. Spencer, B01
Categories: Art
Type: BOOK - Published: 2015-05-01 - Publisher: UNM Press

Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to
In the Aftermath of Art
Language: en
Pages: 184

In the Aftermath of Art

Authors: Donald Preziosi, Johanne Lamoureux
Categories: Art
Type: BOOK - Published: 2012-10-02 - Publisher: Routledge

By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text. In re-reading his own writings, Preziosi opens up alternatives to contemporary discourses on art history and

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