The renowned treatise on music, by an eleventh-century monk, in a critical edition with annotated English translation, introduction, and detailed indexes.

A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.

Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which

Musicologist Henry George Farmer (1882-1965) participated in the First International Congress of Arab Music in Cairo in 1932. His journal and minutes, which are presented in this book, reveal aspects and inner-workings of the Congress that have hitherto remained unknown.

This present work had it's origin in two series of twelve public lectures on music as part of the general culture, given at Harvard University between 1934 and 1935. Since these lectures this subject matter has been considerable enlarged, supplemented and concluded. Chapters include: Music of the Greeks, The Gothic